After describing his relatively melodious third violin sonata as a “weak sister,” this composer concluded that to write worthwhile music he “must keep away from musicians.” The opening Moderato movement of this composer’s piano trio repeats a 27-bar section three times, (-5[1])leaving out the violin the first time and the cello the second. A “distant Amen” concludes the second movement of this composer’s brief fourth violin sonata, which is subtitled “Children’s Day” and has a finale titled Allegro (Con slugarocko). This composer often overlapped quotations of American folk (10[1])songs in (10[1])his scherzi, which have descriptive titles like “In the Barn” and “This Scherzo is (10[2]-5[1])a Joke.” A (10[1])soft, calm B-flat major quotation of (10[1])the (10[1])fate motif from Beethoven’s (10[4])fifth symphony (10[1])opens a movement by this composer titled (10[2])“The Alcotts.” For (10[1])10 points, (10[1])name this (10[1])American composer of the (10[4])Concord (10[3])Sonata. ■END■