This composer’s cello concerto ends with the soloist playing a glissando cadence to a low C, and incorporates two separate cadenzas in its third movement. After a quiet, layered horn chord, a symphony by this composer begins with an obsessive eighth-sixteenth rest-sixteenth ostinato in the violas; that B-flat minor symphony’s irregularly metered second movement is marked Presto con (-5[1])malizia. (10[1])While living in self-imposed exile on Ischia, this composer continually revised his setting of absurdist spoken poems by Edith Sitwell, (10[1])titled Façade. (10[4])This (10[1])composer’s Orb and Sceptre march was (10[1])written for the (10[1])coronation of Queen (10[1])Elizabeth II and (10[1])followed his earlier coronation march (10[1])Crown Imperial. (-5[1])After Lionel Tertis (10[1])rejected it, (10[1])Paul Hindemith (10[1]-5[1])premiered (10[1])this composer’s Viola Concerto. (10[1])For 10 points, name this British composer of the cantata Belshazzar’s Feast. (10[1])■END■ (10[1]0[5])