Joseph Kosuth called this color “Wittgenstein’s” and claimed that it “can’t be described” in two works featuring text of this color. Josef Albers’s assertion of this color’s difficulty led to a series consisting of this color overlaid on grounds (-5[1])of newspaper (-5[1])and patterned fabrics by (-5[1])Robert Rauschenberg. (-5[1])A massive (-5[1])painting (-5[1])described as a “metaphysical thing” (10[1])that primarily features this color and several white “zips” is entitled (10[3])Vir Heroicus (10[2]-5[2])Sublimis. (10[6])This is the first color named in Barnett Newman’s (10[4])series (10[8])asking (10[3]-5[1])“Who’s (10[3])Afraid?” (10[13])This (10[1])color (10[2])and white (10[2])dominate (10[2])opposite (10[1])halves of 32 paintings of objects with peeled and torn labels such as “Vegetable (10[1])Beef.” (10[3])For 10 points, (10[2])name this primary color (10[1])depicted (10[2])in Andy (10[1])Warhol’s paintings (10[1])of Campbell’s Soup Cans. ■END■ (10[9])