In a piece titled in French for this genre, the solo violinist enters with a long low B, then a fast E major scale landing on a B two octaves higher; that piece’s opening is marked allegretto lusinghiero (“loo-sing-YAIR-oh”). A movement in this genre precedes the concluding (-5[1])“Feria” of a rhapsody by Maurice Ravel. After a violin showpiece’s introduction, a moderato [emphasize] movement in this genre may insert a countermelody taken from a different fantasy by Franz (-5[1])Waxman. The second movement of a fantasy by Pablo de (-5[1])Sarasate adapts a (-5[1])mezzo-soprano (10[2])aria in this (10[3])genre whose (10[1])melody (10[1])chromatically (10[2])descends (10[1])from (10[3])D. The (-5[1])singer of (10[1])that (10[1])aria in this (10[1])genre (10[2])repeats “prends (10[1])garde à toi” (“prahn GARD ah TWAH”), tosses a (10[1])flower at (10[1])Don (10[2]-5[2])José (“zho-ZAY”), and (10[1])claims (10[1])that (10[1])“love is a (10[1]-5[1])rebellious (10[4]-5[3])bird.” For 10 (10[1])points, (-5[1])an aria from (10[1])Carmen is in (-5[1])what (10[2]-5[4])genre named for a (10[1])Cuban (10[5])city? (10[23]0[21])■END■