This medium was used by artists in London’s Bow district to depict figures such as Kitty Clive (-5[1])and General James Wolfe. Ehrenfried von Tschirnhaus (“CHURN-house”) spurred the creation of works in this medium at Meissen (10[1])(“MICE-in”), which (10[1])often (10[3])drew (10[1])inspiration (10[1])from (10[2])the (10[2])Kakiemon (“ka-kee-EH-moan”) style. (10[4])After moving from Vincennes, (10[1]-5[1])Jean-Claude Duplessis (10[1]-5[1])became the artistic director of a factory (10[1]-5[1])that produced (10[1])works in this medium (10[1])at Sèvres (10[4]-5[2])(“SEV-ruh”). A variety (-5[1])of faience (10[4]-5[1])(“fie-ONSE”) produced in (-5[1])Delft (-5[1])emulated (10[2]-5[1])“export” (10[4]-5[3])works (10[2]-5[1])in (10[1])this (10[2])medium, (10[4])which were (10[2])often (10[2])created in Jǐngdézhèn (10[4]-5[4])(“jing-duh-jun”). Early European (10[2])attempts to recreate (-5[2])this medium (10[4])lacked (10[3])the (-5[1])kaolin (10[4])(“KAY-uh-lin”) needed for its (-5[1])“hard-paste” (10[5]-5[1])type, (10[2]-5[2])which (-5[1])is less prone (10[1])to chipping. (10[1]-5[1])For 10 (10[1])points, name this medium used to produce blue-and-white (10[1])Míng (-5[1])dynasty (10[1])vases. (10[3])■END■ (10[21]0[5])