In 2019, the Opificio delle Pietre Dure determined that this artist originally intended to include a turban in a painting of Saint Catherine. The “shaping and reshaping” of this artist’s identity titles a biography (10[1])by Mary Garrard, who argued for autobiographical readings of this artist’s paintings. While in England, this artist was (10[1])inspired by the Iconologia of (10[1])Cesare (10[1])(“CHEZ-ah-ray”) Ripa (10[1])to create a self-portrait (10[2])as the “Allegory of Painting.” (10[4])A maidservant in a painting by this (10[1])artist (10[1])appears younger than (-5[1])in an earlier 1599 depiction by a different artist and is shown holding down a man (10[1])to help the title woman cut off his head. (10[1])For 10 points, name this artist whose “Power of Women” paintings (10[1])include a bloody depiction of Judith Slaying Holofernes. ■END■