This poem partially shares its title with the author’s second book of poetry, which this poem appears in alongside a poem metaphorically describing decorations in an African-American cemetery. The power of “arrangement” (-5[1])of the central action of this poem (-5[1])is highlighted by describing how it “portioned out the sea” (-5[1])and fixed “emblazoned zones and fiery poles.” This poem highlights the bridge between the maker and their creation with a dropped line that is cut after the phrase (*) “artificer of the world.” (10[2]-5[2])The speaker of this poem (10[1])that concludes “In ghostlier demarcations, keener sounds” (10[1])begins (10[1])directly addressing his companion Ramon Fernandez (10[1]-5[1])in the penultimate (10[1])verse. (-5[1])For 10 points, (10[1])name this Wallace Stevens (10[1])poem (10[2])set at a titular (10[1])Florida tourist (10[1]-5[1])destination (10[3]-5[1])popular (10[1])with (10[1])Ernest Hemingway. (-5[1])■END■ (10[6]0[28])