One poem in this collection notes that “the form of a city changes more quickly, alas, than the human heart” before observing the title figure (10[1])escape a cage. Another poem in this collection asserts (10[2]-5[1])“folly, error, (10[1])sin, (10[6])avarice, (10[3])occupy our minds and labor our bodies.” (10[1])Baron Haussmann’s renovations inspired (-5[1])a section of city scenes (10[2])in this collection, (10[1]-5[2])such (10[1])as a poem opening “Andromache, (10[1])I think (10[1])of (10[2])you!” (10[3])This collection includes a poem which likens (10[1])Ennui (10[2])(“awn-WEE”) to a “refined (10[2])monster” (10[4])before (10[1])decrying (10[1])a (10[1])“hypocritish (10[2])reader, (10[3])my fellow, (10[1])my (10[1])brother.” (10[1])This Symbolist poetry collection (10[1]-5[1])contains (10[1])sections such as “Revolt” and “Spleen and (10[2])Ideal.” (10[5])For 10 points, name this (10[1])poetry (10[1])collection by Charles Baudelaire. (10[6])■END■ (10[28]0[15])