This composer used thirteen repetitions of a passus duriusculus, or chromatic fourth, in E to evoke Christ’s suffering in one piece’s “Crucifixus” section. (-5[1])That work by (10[1])this (-5[1])composer, which is often referred to by its key, features a Credo (10[1])section titled (10[1])“Symbolum (10[1])Nicenum.” (10[1]-5[1])This (10[1])composer’s (10[1])cantata (10[2])Schweigt (10[1])stille, (10[1])plaudert nicht (10[4])(“sh’vyte SHTILL-uh, PLOW-dert nick’t”) is (10[1])humorously dubbed (10[1])the Coffee (10[3])Cantata. (10[22]-5[3])An (10[1])1829 (10[2])performance (10[2])conducted by (10[1])Felix Mendelssohn (10[2])revived (10[1])interest (10[3])in this (10[1])composer’s (10[5])St. Matthew Passion. (10[7]-5[1])This composer of (10[2])a Mass in B Minor (10[1]-5[1])wrote (10[1])a (10[2])collection of (-5[1])24 preludes (10[1]-5[1])and fugues to show off (10[3])a new (10[3]-5[1])tuning (10[2]-5[1])system. (10[5])For 10 points, (10[2]-5[2])name this German (10[1])Baroque (10[1])composer (10[2])of (10[1])the Well-Tempered (10[3])Clavier. (10[1])■END■ (10[22]0[10])