In a lecture on this painting, Michel Fried argued that the subject’s right hand is in the correct position to indicate it was painted as part of a new tradition of right-angle mirror self-portraits. A contemporary of this painting’s artist, Giovanni Baglione, recounted how it was painted soon after the artist moved in with Giuseppe Cesari and how viewing it “you could almost hear [a] scream.” A copy of this painting is on view at the Fondazione Roberto Longhi, whose namesake scholar argued that this painting was inspired by a lost (*) Sofonisba Anguissola (-5[1])painting featuring a crayfish. (10[2])Like its artist’s (10[2])Bacchus, (10[1])this painting may depict Mario (10[1])Minniti, who is shown wearing a white flower in his curly hair (-5[1])and recoiling with his left hand. (-5[1])For 10 points, name this Caravaggio painting (-5[1])where the title reptile nips at a youth’s finger. (10[1])■END■ (0[4])