In a play from this period, Angela uses a secret panel behind a glass cupboard door to manipulate her lover into believing she is the title character. (10[1]-5[1])An author from this period (-5[1])wrote a play in which a woman complains (-5[2])about men before her lover saves her (-5[3])by grabbing her attacker’s (10[1])crossbow. (10[2]-5[1])The Phantom Lady (10[1])was a (10[1])“cloak-and-sword play” from (-5[1])this period, (10[1]-5[2])which was also known (-5[1])for the auto (10[1]-5[1])sacramental. (10[1])In another play (10[2])from this period, the murder of the Commander goes unpunished (10[2])after the title (10[1])village (10[3])refuses to give up (10[1])his killer. (10[8]-5[2])In a play from this (-5[1])period, (10[1])King (10[1])Basilio (10[1])tries to avoid (10[1])a prophecy by locking (10[1])Segismundo, (10[5])the prince (10[1])of (10[1])Poland, (10[3]-5[1])in a tower. (10[2])For 10 points, (10[3]-5[1])Lope de Vega’s (10[10]-5[1])Fuenteovejuna (10[11])and (10[1])Pedro Calderón de la Barca’s Life is (10[1])a Dream (10[1])were published (10[1])during what Spanish (10[2])literary (10[1])period? (10[1])■END■ (10[29]0[30])