A group of hymns in this text begin with a mahala symbol, which may either mean “woman” or “place of alighting.” Three repetitions of a hymn whose name means “that door” occur in this text, including one which provides the only vocatives in its Japujī section. (10[2])Over 100 hymns in this text (10[1])were written by (10[1])the 13th-century mystic (10[1])sheikh Bābā Farīd (10[3])(“fuh-REED”). A rumalla cloth (10[2])covers (10[1])this text when (10[1])closed; (10[10])while (-5[1])it (10[1])is read, (10[5]-5[1])this text (-5[1])is (10[1])fanned (10[1]-5[1])with a (10[1])yak-hair (10[9]-5[1])chauri. (10[9]-5[1])This (10[1])text’s opening (10[1])line, (10[1]-5[1])called the Mūl Mantar (10[4]-5[2])(“MOOL MUN-ter”), contains (10[1])the monotheistic statement (-5[2])“Ik (10[4]-5[1])Onkar.” (10[4])After (-5[1])a 1708 (10[2])declaration (10[1])at Naded, (10[1])this text took (10[1])on an (10[1]-5[1])eternal (10[1])spiritual role, (10[2])succeeding (10[1]-5[1])Gobind Singh. (10[2])For 10 points, name this holy (0[1])book that serves as Sikhism’s (10[1])eternal (10[1])Guru. (10[3]-5[1])■END■ (10[9]0[19])