A “Tired” one of these title people stretches her arms in front of a setting sun in a characteristic painting by Jules Breton. Edmond Hédouin’s (-5[1])(“aid-WANN’s”) painting of these people “Fleeing Before the Storm” is pulled from storage at the end of a documentary that likens these people to individuals like a Michelin chef and a homeless (-5[1])drifter. The large size of an 1857 painting of these people contributed to its poor reception at the Salon and (10[1])its artist’s (-5[2])smaller follow-up showing two (-5[1])people bent in prayer beside (-5[1])a wheelbarrow. (10[3]-5[2])Agnès (10[1])Varda (10[2]-5[1])(“on-YES var-DAH”) stands (10[1])in front of (10[1])a painting of these people (10[1])in (10[1])her (10[1])documentary (10[1])titled for them “and I.” (10[1])These people title a Barbizon school painting of three peasant women (10[1])bending (10[1])down in a field. (10[1])For 10 points, name these wheat-gatherers (10[1])who title a painting (10[1])by Jean-François Millet (10[1])■END■ (10[3]0[7])