A painter from this movement used the phrase “localization of graphic motifs” to title two works he called “stereoscopic bridges.” This movement was categorized into “perceptual,” “mystical,” and “psychological” branches by Virginia Spate. A red propeller in the bottom left and a small red biplane in the top right appear in an artwork from this movement, (-5[1])Homage to Blériot (“blair-YOH”). In a (10[1])work (10[1])that unfolds like an accordion, (10[1])an artist from (10[1])this movement illustrated (10[1]-5[1])a poem about a journey on the Trans-Siberian Railway (10[1])by Blaise Cendrars (10[1])(“sond-RAR”). The (10[1])Disks (10[1])of Newton series from this movement was painted by František (10[1])Kupka. (10[2]-5[1])Michel-Eugène (10[1])Chevreul (“shev-RUL”) influenced the theory of simultanism propounded by a member of this movement, whose name was coined by Guillaume Apollinaire. (-5[1])For 10 points, (-5[2])name this colorful offshoot of cubism headed (10[1])by Sonia and Robert (10[1])Delaunay. (10[2])■END■ (10[2]0[6])