This musician composed a jazz harmonization of three iterations of an atonal tone row in a melody analyzed in a book titled The Harmony of (10[1])this musician, by Jack Reilly. (10[1])A song by this musician begins with the four one-measure chords [read slowly] “B minor seventh, C major seventh, F major seventh, E minor seventh,” and titles a book about this musician’s last two years, co-written by his drummer Joe La Barbera. A voicing first played by this pianist consists of (10[2])three stacked perfect fourths plus a major third. From 1961 to 1966, this pianist’s trio (10[1])featured (-5[1])Chuck Israels on bass, replacing a man (10[1])who died in a (10[1])car accident (10[1])after recording Sunday at the (10[1]-5[1])Village Vanguard, (10[2])Scott LaFaro. A voicing developed by him (10[1])is named (10[1])for the opening track of Kind (10[1])of Blue. For 10 (10[1])points, what pianist (10[1])developed the “So What” chord and composed “Waltz for (10[5]0[7])Debby”? ■END■