An oboe solo in this piece opens with an eighth rest, followed by a quarter note G, eighth note trilled G, then a rapid chromatic run down to E and up to G. In this piece's first theme, the first French horn plays the call, “F, B-flat, A-flat,” followed by “short C, long D” in the second horn. (-5[1])A (-5[1])glissando in the harp that gets higher than lower follows the opening “Très Modéré” solo of this piece, (15[1])which was intended to have a (15[1])“Final Paraphrase and Interlude” but was condensed into (*) one movement. A Vaslav Nijinsky ballet (10[1])set to this piece (10[1]-5[1])was accused (10[3])by Michel (10[1]-5[1])Fokine (10[1]-5[1])of plagiarizing Daphnis (-5[1])et Chloé. (10[1]-5[1])A chromatic (10[1])descent from C-sharp (10[1])to G (10[2])opens the flute solo that (10[1])begins this piece, (10[1])intended to depict the “passing (10[2])of the longings and desires” of the title satyr. (10[2])A Stéphane Mallarmé poem inspired, (10[3])for 10 points, what Claude Debussy piece (10[1])that opens a ballet? ■END■ (10[5]0[5]-5[1])