A script by this director was rewritten in six weeks due to similarities to the film Fatal Exit. Near the end of a film by this director, the camera appears to move between the bars of a Spanish hotel's (-5[1])window (-5[1])and circle back (15[1])as hitmen (15[1])kill reporter David Locke. (15[1])Another film by this director of The Passenger (15[1])ends (15[1])with a split shot (15[1])between a building (15[1])and a distant view of Mount Etna as a woman consoles (15[1])her crying lover. Claudia and Sandro embrace in that film by this director after failing to solve (*) Anna’s (10[1])disappearance during a boating trip. (10[3]-5[1])A mimed tennis (10[1])match (10[1])ends (10[1])another of this (-5[1])director’s films shortly after a character (10[1])watches Jeff (10[1])Beck smash a guitar. That film by this director centers on a photographer who realizes he has photographed a (10[1])murder. (10[1]-5[3])For 10 points, name this Italian director of L'Avventura and (10[1])Blow-Up. (10[3]0[10]) ■END■