In a song from this musical, a woman reasons that “there are mouths to be kissed before (15[1])mouths (15[1])to be fed” (15[2])and decides to “celebrate (15[1])what passes by.” The Greek chorus-like quintet (15[1])of singers who recur in this musical are termed “Liebeslieder.” A man in this musical sings that “Stendhal would ruin the plan of attack / as there isn’t much blue in The Red and the Black” while debating whether to seduce a woman or take a nap. A song from this musical that alternates (15[1])between 12/8 and 9/8 was written for (*) Glynis Johns and describes “me here at last (10[1])on the ground / you in mid-air.” (10[1]-5[1])In this musical, (10[1])Fredrik (10[1])Egerman accepts Desirée Armfeldt’s marriage proposal at her Swedish estate shortly after she sings “Send in the Clowns.” For (10[1])10 points, (10[2]-5[1])Ingmar Bergman’s (10[1]-5[1])Smiles of a Summer Night (10[1])inspired what Stephen Sondheim musical titled for a Mozart piece? (10[1])■END■ (10[5]0[2])