This artist was accused of running a “pin-cushion factory” by a colleague who left after a dispute about crediting individuals led to the “Ideal Home rumpus.” This critic spent nine pages praising a still life of a fruit bowl for its “ordering of volumes” and the “surprising amplitude” of its many spheres. When disavowing an early essay on Giotto, this artist declared it possible to separate a reaction to “pure form” from a reaction to an artwork’s “implied associated ideas.” (-5[1])Boris Anrep’s wife left him for this artist, who wrote a 1927 study of the development of (*) Cezanne. Frustration with titling a Grafton Galleries show about Manet led this man to coin the term “post-impressionism.” (10[1])With (-5[1])Duncan (-5[1])Grant (-5[1])and Vanessa Bell, (-5[1])this author of Vision and Design operated the Omega Workshops. For 10 points, name this art critic and member (10[1])of the Bloomsbury (-5[1])Group. ■END■ (10[2]0[12])