This poet began one poem with the note “felled 1879” and describes how his “aspens dear” were “not spared, not one that dandaled a (15[1])sandalled.” This poet denoted the essential set of characteristics that differentiates a thing as its “inscape,” an idea derived from Duns (15[1])Scotus. This poet of “Binsey (15[1])Poplars”praised (15[1])“the achieve (15[1])of, (15[1])the mastery of the thing” in a poem that ends with “blue-bleak embers” that “gash (*) gold-vermilion.” (10[1])This poet (10[1])developed a rhythm (10[1])with a stressed (10[2])first syllable (10[1])that is used to imitate natural speech. In a (10[1])poem by (10[1])this author, the narrator “caught this morning morning’s minion,” (10[1])a “dapple-dawn-drawn Falcon.” This author’s line “Glory be to God for dappled things” is an example of “sprung rhythm.” (10[1])For 10 points, (10[1])name this Jesuit poet of “The Windhover” and “Pied Beauty.” ■END■ (10[1]0[8])