Juan Martínez Montañés was nicknamed “God of [this material]” for his (15[1])use of a process called encarnación for naturalistic effect. This medium was used for a Last Supper scene that centers a removable depiction of Judas rather than Jesus. A brilliant blue background and gilding adorn a depiction of the Dormition of the Virgin made of this material in Krakow. (-5[2])The Altarpiece (15[1])of (15[1])the Holy (15[1])Blood (15[1])is made (15[1])of this (15[1])material, (15[3])a specialty of Northern Renaissance artists (-5[1])like (15[1])Veit Stoss and (15[2])Tilman (-5[1])Riemenschneider. (15[1])Hair blends into fur covering an (15[1])(*) emaciated woman sculpted (10[1])from this material, (10[1])Donatello’s (10[4]-5[1])Penitent (10[1]-5[1])Magdalene. (10[7])This material was used (10[1])in a process (10[1])distinct from engraving to create the Four Horsemen (10[1])by Albrecht Durer. (10[1])For 10 (10[1])points, (10[1])cuts or blocks of what material (10[2]-5[1])are used to make namesake (10[2])prints? ■END■ (10[5])