Regina Strinasacchi (“stree-nah-SAH-kee”) was the dedicatee of a B-flat major one of these pieces by Mozart, whose other pieces of this type include his K. 526 and K. 301. After a slow introduction, one of these pieces launches into a presto A minor theme (-5[1])that ends with two triumphant G and C major chords. A Baroque, G minor one of these pieces (15[1])climaxes in its finale with passages in which a musician simultaneously plays arpeggios while holding the title (*) technique using double stops. (-5[1])George Bridgetower (10[1]-5[1])was the original dedicatee (10[2]-5[1])of Beethoven’s (10[1])ninth (10[1])piece of this type, (-5[2])while his (10[1])fifth (-5[1])piece (-5[1])of this type (10[1])is nicknamed “Spring.” (10[1]-5[3])A supernatural (10[2])dream inspired Giuseppe (10[2])(“joo-ZEP-pay”) Tartini’s piece (10[1])of this (10[1])type (10[1])nicknamed (10[1])“Devil’s Trill.” (10[3]-5[1])For 10 points, (10[1]-5[1])name this type of (10[1])chamber (10[1])piece exemplified (-5[1])by Beethoven’s “Kreutzer.” (10[2]-5[1])■END■ (10[11]0[14])