This artist borrowed a pose from a mural at Herculaneum for a portrait of a woman surrounded (15[1])by (15[1])Second Empire fashions holding her hand to her temple. In a portrait condemned as “Gothic” and “barbarous,” one of this artist’s subjects sits on a gilded, rounded throne while holding (15[1])his right arm up to grasp (15[1])a scepter, (15[2])in a pose (15[3])similar (15[1])to this artist’s painting (15[2])of an impassive dark-haired (-5[1])god with an imploring nymph. (15[1]-5[1])This (15[1])artist of Madame (15[1])Moitessier and Jupiter and Thetis (15[3])depicted (15[1])the back (15[1])of a nude mandolin player, (15[1])reusing his (15[2]-5[1])(*) Valpinçon (10[2])Bather in a tondo. This student of David recalled his teacher’s reclining portrait of Madame Recamier (10[1])in one orientalist painting and also depicted (10[1]-5[1])nude harem women (10[3])at a Turkish Bath. (10[2])For 10 points, (10[1])name (-5[1])this French painter (-5[1])who included extra vertebrae in (10[1])his Grande (10[1])Odalisque. (10[1]0[1])■END■ (10[4]0[7])