A movement in this form “with some license” closes a sonata whose first movement tempo marking of half note equals 138 is mostly ignored. E-flat major movements (15[1])in this form comprise the penultimate variations of the Eroica Variations for piano and the Diabelli (15[1])Variations. (15[2])A movement in this form built around the dotted half-note theme, (15[1])“G, G-sharp, up to F, E” contains many tied eighth notes. (15[2])The Hammerklavier (15[1])closes (10[1])with a movement in this form (15[1])full (15[1])of stretti (-5[1])and inversions, in three (15[1])(*) voices. (10[3])A dissonant movement in (10[1])this (10[1])form (10[1])that Stravinsky called (10[1])“contemporary forever” (10[2])was excerpted (10[1])from Beethoven’s 13th string quartet; (10[3])that movement is called the (10[1])“Grosse” (10[2])one of these (10[4])pieces. (10[6])For 10 points, (10[1])name these contrapuntal pieces (10[1])that Bach paired with (10[2])preludes (10[2])in The Well-Tempered (10[1])Clavier, and with a “Toccata” in (10[1])D minor. ■END■ (10[3])