A track by this musician was re-recorded with a choir for his mentor’s album Up with Donald Byrd. A syncopated bass ostinato built on a B-flat minor 7 to E-flat 7 progression (-5[1])opens a track by this musician before saxes and (10[1])trumpet enter with three sets of two quick sixteenth notes on the notes (10[1])B-flat, A-flat, B-flat. This musician began using electric instruments like the Fender (-5[1])Rhodes while a member (-5[1])of Miles Davis’s (10[1])Second (10[2])Great Quintet. (10[2])A track by this musician (-5[1])begins with percussionist Bill Summers imitating (10[3])hindewhu music (10[2])by blowing (10[1])into (10[1])beer bottles. (10[5]-5[1])That song (-5[1])is the (10[1])opening (10[1])track (10[1]-5[1])of this musician’s (10[3])debut album Takin’ Off, (10[2])and was recorded in a funk style on his album Head Hunters. (10[9]-5[1])For 10 (10[1])points, (-5[1])name this (10[1])jazz (10[1])pianist (10[2])who recorded (10[1])the tracks (-5[1])“Watermelon Man” (10[1]-5[1])and “Chameleon.” (10[4])■END■ (10[2]0[15])