A track by this musician was re-recorded with a choir for his mentor’s album Up with Donald Byrd. A syncopated bass ostinato built on a B-flat minor 7 to E-flat (-5[1])7 progression (-5[1])opens a track by this musician before saxes and (10[1])trumpet enter with three sets of two quick sixteenth notes on the notes (10[1])B-flat, A-flat, B-flat. This musician began using electric instruments like the Fender (-5[1])Rhodes while a member (-5[1])of Miles Davis’s (10[1])Second (10[2])Great Quintet. (10[1])A track by this musician begins with percussionist Bill Summers imitating (10[2])hindewhu music (10[1])by blowing (10[1])into (10[1])beer bottles. (10[3]-5[1])That song is the (10[1])opening (10[1])track (10[1]-5[1])of this musician’s (10[3])debut album Takin’ Off, (10[2])and was recorded in a funk style on his album Head Hunters. (10[6])For (10[1])10 (10[1])points, (-5[1])name this jazz (10[1])pianist (10[2])who recorded (10[1])the tracks (-5[1])“Watermelon Man” (-5[1])and “Chameleon.” (10[3])■END■ (10[1]0[10])