A character choreographed by this person is kicked onstage and gets up to the sound of juxtaposed (-5[1])C and F-sharp major triads from the clarinets. (-5[1])Being expressive “from head to foot” and linking “dancing and mimetic (-5[1])gesture” to “dramatic action” are two of this (-5[1])choreographer’s five principles. (-5[1])This choreographer responded to criticism of rejecting pointe work by creating a solo dance set to a piece from (-5[1])The Carnival of the Animals. (10[1]-5[1])A ballet (-5[1])choreographed (10[1])by (10[1])this person (10[1])opens with a Polonaise (10[1])in A major orchestrated by Alexander Glazunov, and was initially titled after Frédéric Chopin. This choreographer left the Ballets (-5[1])Russes (-5[2])in (-5[1])1912 (-5[2])after working on Petrushka (-5[1])and Les Sylphides (-5[2])(“seel-FEED”). For 10 points, name this Russian choreographer who created The Dying Swan (10[1]-5[1])for Anna (-5[1])Pavlova. (0[1]-5[2])■END■ (10[5]0[24])