In one self-portrait, this artist holds a palm frond in the right hand and wears a blue turban. This artist uses similar poses in both a self-portrait as an Egyptian saint (10[1])and a self-portrait (10[1])wearing blue Romani clothing “as a lute player.” (10[1])Mary Garrard noted that this artist was uniquely (10[1])suited to adapt content from Cesare (“CHAY-zah-ray”) Ripa’s (10[1])Iconologia into a self-portrait (10[2])while working for Charles (10[1])I of Britain. (10[1])In that self-portrait, this artist wears (10[1])green and holds a palette (-5[2])in the left hand (10[1]-5[2])and lifts the right arm while painting with a brush. (-5[1])Susanna and the Elders is the earliest-known painting (-5[1])by this artist of Self-Portrait as the Allegory (-5[1])of Painting. For 10 (10[1])points, what Baroque artist (-5[1])likely used (10[2])herself as a (10[1])model (10[1]-5[1])in a painting (10[1])of the beheading (10[2])of an Assyrian (10[2])general, (10[5])titled Judith Beheading (10[1])Holofernes? ■END■ (10[5]0[8])