This film’s second half demonstrates the protagonist’s “active sadistic voyeurism” in forcing a woman to change her appearance, (10[2])as argued in an essay (10[1])by the critic (10[1])Laura Mulvey. (10[2])In this film, Midge (-5[1])angers the protagonist (10[1])after she inserts her (-5[1])own facial (-5[1])features (-5[1])in a reproduction (-5[1])of a portrait of Carlotta Valdes. (-5[2])A (10[1])nun’s sudden (10[1])appearance in (10[1])this film leads to a character’s death at a bell (10[1]-5[1])tower whose (10[1])inside (10[1])was earlier (10[1])the subject of the first-ever dolly (10[2])zoom. (10[3]-5[1])In this (10[1])film, a plot to kill Madeleine (10[3]-5[1])Elster aims to take advantage (10[1])of Scottie Ferguson’s (10[1])fear of heights. (10[6])For 10 points, (10[4])name this Alfred Hitchcock (10[2])film (10[5]-5[1])about a (10[1])detective who experiences (10[1]-5[1])the title (10[4]-5[1])dizzy (10[3])sensation. (10[1]0[1])■END■ (10[8]0[1])