In this dance, forward and backward cross steps are used in patterns named for a figure-eight shape. An instrument imported from Germany traditionally (-5[1])appears in ensembles (10[2])playing this dance’s music, (-5[2])which often ends in a (-5[1])two-beat “chan-chan” flourish. (-5[2])The name of a (-5[1])piece written for this dance means “by a head.” (10[1])This dance’s (10[1]-5[1])steps (-5[1])are performed in a slow, slow, (10[1])quick, quick, (10[2])slow pattern. (10[1]-5[5])The accordion-like (-5[3])bandoneon (10[1])was played (10[1])by a pioneer of this dance’s “new” style, (-5[1])Astor (-5[1])Piazzolla. (10[3]0[1]-5[2])The composer (10[2])Carlos (10[1]-5[1])Gardel (10[3])wrote (10[1])music (10[1])for this dance that originated in Buenos Aires. (10[5]-5[2])For 10 points, (10[1])name this South American (10[1])partner (-5[1])dance that “it (10[1])takes (10[1])two (10[1])to” do. (10[4])■END■ (10[18])