In one film, this director zooms in on a shot of pepto-bismol mixing into a glass of whisky. (15[1])A wide shot of a man approaching from the distance on a winding snowy forest path cuts to the bloody remains of a man lying dead in a film by this director, another of whose films uses a 220-degree VR lens to shoot fictional scenes of Abu Ghraib. This director has ended multiple films with a man and (15[1])woman touching through prison (15[1])glass, one of many nods to Robert (*) Bresson’s Pickpocket. This (15[1])director, who takes studio-requested (10[1])breaks from Facebook before releases, filmed a character (10[2])who wraps (10[2])himself in barbed (-5[1])wire before kissing a woman (-5[1])as the camera rotates around (10[1])them (10[3])at the end (10[2])of another film. For 10 points, name this director (10[1])of The Card (10[2])Counter (10[2])and First Reformed, who also wrote Taxi (-5[1])Driver. (10[1])■END■ (10[1]0[6])