Dziga Vertov included shots of his wife and editor Yelizaveta Svivola editing the film within Man with a Movie Camera, a film representative of this theory. For 10 points each:
[10e] Name this Soviet filmmaking theory which Sergei Eisenstein defined as “an idea that arises from the collision of independent shots.” It shares its name with training sequences from sports movies like Rocky.
ANSWER: montage [prompt on the Kuleshov effect]
[10h] This critic and champion of Italian neorealism rejected montage in favor of the “ontology of the photographic image.” With Joseph-Marie Lo Duca and Jacques Doniol-Valcroze, this man founded Cahiers du Cinema.
ANSWER: Andre Bazin
[10m] This director sided with Bazin against montage, theorizing the “time pressure” of long takes in his book Sculpting in Time. A man and dog lay in a ruined cathedral in the last shot of this director’s Nostalghia.
ANSWER: Andrei Tarkovsky
<Emmett Laurie, Other Fine Arts>