Sutherland and Toutziari’s biography reveals how the subject of this painting crossed the Atlantic 11 times and regularly made lunches for visitors to a Chelsea studio. A 1934 holiday stamp (0[1])version of this painting added a vase of flowers but removed a print of the (20[1])Thames from the wall. (20[1])This painting shares (20[1])most of its formal title (20[1])with a later portrait (20[1])of Thomas (20[1])Carlyle. (20[4])In the Musee d’Orsay, (20[4])this painting hangs to the left of Luncheon on the Grass as a highlight of its American collection. The white (0[1])(*) lace trim on the otherwise (0[1])all-black dress (10[1]0[3])of the frail (0[3])67-year-old (0[1])subject (0[1])of this painting (10[2])indicates that she has long been a widow. (10[2])For 10 points, name this painting of an elderly relative of the British-American (10[1])artist of Nocturne in Black and Gold. (10[1]0[2])■END■ (10[7]0[2])