In a piece with this nickname, the right hand crosses over to play the ascending notes “C, F, G, A-flat,” then crosses back over to play the same notes two octaves up. The finale of a piece with this nickname uses the composite theme (read slowly) “descending F-sharp, E, D, C-sharp, short B, up to C-sharp” played between the two violin sections. The cellos play a rising (read slowly) “F-sharp, G, triplet A—G—A” to open the second movement of a symphony with this nickname. A piece with this nickname dedicated to Karl von Lichnowsky opens with a slow theme marked (*) Grave (“GRAW-vay”). The second movement of a symphony with this nickname is a 5/4 (“five-four”) Allegro con grazia commonly called (10[1])a “limping waltz.” For 10 points, give this nickname shared by Beethoven’s Piano Sonata No. 8 and Tchaikovsky’s Symphony No. 6. ■END■