Along with a piano concerto, a concert aria, and his Choral Fantasy, excerpts from Beethoven’s C major first work in this genre were performed at the premiere of his 5th and 6th symphonies. Mozart’s unfinished (15[1])final work in this genre, his 17th, opens with (15[1])the slow eighth notes “C slur down to staccato G-G-G, G slur down to staccato E-flat E-flat E-flat.” It’s not a piano concerto, but a Mozart work in this genre is nicknamed for its use at (*) coronations. (-5[1]) Mozart’s 17th work (-5[1])in (-5[1])this genre is called the “Great” (10[1])one in (10[2])C minor. A late Beethoven composition named for the Solemnis subtype (10[2])of this musical (10[1])genre features extensive fugues in its Gloria and Credo (10[1])sections. For 10 points, name these musical settings of the liturgical Ordinary that often feature a Kyrie and Agnus Dei, including Bach’s one in B (10[1])minor. (0[2])■END■