An anthology titled for these objects includes fifteen “diaspora” essays, including one whose every section begins “OK, people, let’s do this one last time. Spider-Man has always been Black.” These objects title an open letter that urges “third world women writers” to “write from the body.” An essay titled for these objects includes a short interlude that identifies with “nightmares” and “aberrations” who are “culturally crucified.” These objects title an essay within a larger book (-5[1])that examines a (*) “tradition of silence” and begins with an anecdote (-5[1])about a dentist (-5[1])who becomes exasperated (10[1])while trying to drain a tooth. A section on “linguistic terrorism” appears (10[1])in that essay titled for these (-5[1])objects, which describes how Chicanas feel shame over speaking “poor” Spanish. For 10 points, (10[1])a chapter of Gloria Anzaldúa’s Borderlands/La Frontera (10[1])is titled “How To Tame (10[1])a Wild” (10[1])what object? ■END■ (10[2]0[1])