A player of this instrument backed Sophie Tucker’s recording of “After You’ve Gone” while leading his namesake “Molers.” Gunther Schuller’s book Early Jazz praises the high-register solos executed by a player of this instrument from the Jazz Age, Jimmy Harrison. On all early Ellington versions of “East St. Louis Toodle-oo,” this instrument plays an 18-bar solo after Bubber Miley’s opening solo. Miley and a player of this instrument, “Tricky Sam” Nanton, (-5[1])developed Ellington’s “jungle style” in the 1930s. Sy (15[1])Oliver penned “Opus One” for a bandleader who played this instrument as leader of the (*) Clambake Seven in the Swing Era. (-5[1])This was the [emphasize] larger of two instruments to play in a growling style (10[1])with a plunger mute, which is contrasted (10[2])with the comic glissandi played by Dixieland artists. For 10 points, (10[1])Jack Teagarden played what brass instrument, (10[1])also played by the bandleader of “In the Mood,” Glenn Miller? ■END■ (10[3])