In a different artist’s letters, this painting is compared to François Coppée’s poem “Douleur Bercée” (“doo-LURR burr-SAY”) as an example that its artist could “make poetry — be a poet.” Jacob Zwarts argued that this painting’s subjects were intended to appear on the cover of a Spanish poetry collection by Miguel Barrios. This painting shares its title with a tronie whose subject wears large pearl earrings and rests her hands on a black picture frame on the bottom. Vincent van Gogh claimed he would give up 10 years (15[1])of his life to spend two weeks viewing this painting with (*) “only a dry crust of bread to eat.” The art dealer Adriaan van der Hoop’s interpretation of a gifted necklace is the source of this 1667 painting’s common, but inaccurate title. A man in bright gold places his hand over the (10[1])chest (10[1])of a younger woman (10[2])in a red (10[1])dress in this Rijksmuseum mainstay. For 10 points, Isaac and Rebecca are the likely subjects (10[1]-5[1])of what (-5[1])tender painting by Rembrandt? ■END■ (10[2]0[1])