The studio version of this song is compared to a live version recorded at Michigan State in a 2016 book edited by Philip Lambert, which also identifies a short “fugato” section between its final chorus and coda. A section of this song underpinned by jaw harp and tack piano abruptly cuts to a slow “meditation” section in F major. This song’s coda begins as the cellos chug low triplets and Paul Tanner plays an electro-theremin. A re-recording of this song appears after the previously unreleased songs (*) “In Blue Hawaii” and “Mrs. O’Leary’s Cow” on a 2004 album. Derek Taylor popularized the term “pocket symphony” (10[1])when describing this 1966 song, which features vocals from Al Jardine and Mike Love. This song’s title was suggested by Tony Asher, who previously collaborated on Pet Sounds. Brian Wilson wrote, for 10 points, which progressive pop song by the Beach Boys, whose chorus mentions getting “excitations”? ■END■