The critic Champfleury (“shawm-floo-REE”) defended this painting as without “a trace of socialism.” For 10 points each:
[10m] Name this painting whose “quasi-incorporation” of the viewer into its crowded scene is analyzed in Michael Fried’s essay “The Structure of Beholding.” Two rock formations below a gray sky dominate this painting’s background.
ANSWER: Burial at Ornans [or Un Enterrement à Ornans; accept Interment at Ornans or Funeral at Ornans]
[10h] Champfleury praised these artists of Peasant Family in an Interior as the first Realists and led an 1860 revival of their work. These three French brothers produced Baroque paintings like the National Gallery’s Adoration of the Shepherds.
ANSWER: Le Nain (“luh nah”) brothers [or Frères Le Nain; accept Antoine Le Nain, Louis Le Nain, or Mathieu Le Nain]
[10e] Champfleury crosses his arms in front of a painting of this artist in an “Homage” by Henri Fantin-Latour. Champfleury collected this artist’s sketches of cats he made in between massive canvases like Massacre at Chios.
ANSWER: Eugène Delacroix [accept Homage to Delacroix]
<Ganon Evans and Halle Friedman, Visual Fine Arts>