While discussing this painting, Linda Nochlin's essay “Women, Art, and Power” ironically suggests that works like Pretty Girl by Hannah Höch can serve as a deconstructive “alternative” to an event involving it. The pose of this painting's central figure likely draws from (-5[1])a specially-ordered (15[2])bronze copy of the Borghese (15[1]-5[1])Hermaphroditus. (15[1]-5[2])This painting spent many years in the Yorkshire estate of John (15[1])Morritt after a shorter period (15[1])in (15[1])which it was hung between The Clothed Maja and The Nude Maja by (15[1])(*) Manuel de (10[1])Godoy. Pink ribbons drape over (10[1])the hands (10[3])of a boy in this painting who holds up an object (-5[1])showing (10[1])a (10[1])blurry woman's face gazing at the viewer. (10[1])The arrest of Emmeline (10[1])Pankhurst prompted Mary (10[1])Richardson to take a cleaver to, (10[3]0[1])for 10 points, (10[1])what only surviving female nude by Diego Velázquez, (-5[1])which shows a (10[1])reclining Roman goddess and her reflection? (10[1])■END■ (10[2]0[1])