While discussing this painting, Linda Nochlin's essay “Women, Art, and Power” ironically suggests that works like Pretty Girl by Hannah Höch can serve as a deconstructive “alternative” to an event involving it. The pose of this painting's central figure likely draws from (-5[1])a specially-ordered (15[1])bronze copy of the Borghese (-5[1])Hermaphroditus. This painting spent many years in the Yorkshire estate of John Morritt after a shorter period in (15[1])which it (-5[1])was hung between The Clothed Maja and (10[2])The (-5[1])Nude (10[1])Maja by (*) Manuel de Godoy. Pink ribbons drape (10[1])over the hands (10[3])of a boy in this painting (-5[2])who holds (10[2])up an object showing (10[1])a blurry woman's face (10[1])gazing at (-5[1])the (10[1])viewer. (10[1])The (10[1])arrest of (-5[1])Emmeline Pankhurst prompted Mary Richardson to take a (10[1])cleaver to, (10[1])for 10 points, (10[2])what only surviving female nude (10[1]0[2])by Diego Velázquez, which (10[4])shows a reclining Roman goddess and her reflection? ■END■