This ballet is the namesake of a 1997 Boris Eifman production that doubles as a biography of dancer Olga Spessivtseva (SPEH-siv-TSAY-vuh). Pressure from Nathalie Fitzjames resulted in the addition of this ballet's traditional “peasant pas de deux.” Lines of dancers enter from both sides of the stage and hop towards each other en arabesque in a waltz from its ballet blanc second (15[1])act that is performed (-5[1])by the followers of (*) Queen (10[3])Myrtha. Carlotta (10[2])Grisi became a (10[1])star after (10[1])the (10[1])premiere of this ballet, whose first (10[1])act (-5[1])ends with a mad (10[2])scene prompted (10[1])by (10[1])Hilarion's (10[2])revelation that the title (10[1])character's suitor Loys is actually Duke (10[1])Albrecht. For 10 (10[1])points, name this Romantic ballet composed by Adolphe (10[1])Adam, whose (10[1])title (10[1]-5[1])character's spirit is raised from (10[1])her grave by the Wilis (10[3]0[1])(VEE-leez). ■END■