While working for this organization, Marion Post Wolcott was given early access to the Kodachrome format. August Sander’s “photography-as-science” is contrasted with this organization’s dignified subjects in Susan Sontag’s On Photography. Thousands of negatives were “killed” with a hole punch during Roy (-5[1])Stryker’s leadership (15[1])of this organization. Using a right-angle viewfinder, Ben Shahn surprised his subjects in his photos for this (-5[1])organization. (*) Ella Watson, a cleaning (-5[1])lady (-5[1])in this organization’s (-5[4])offices, (-5[1])holds up a broom and a mop (-5[2])in a reference to American Gothic in a photo by Gordon Parks. (-5[2])This agency photographed Allie Mae Burroughs, an Alabama sharecropper photographed (10[1]-5[1])in Fortune’s Let Us Now Praise Famous Men. For 10 points, name this New Deal agency (-5[1])that employed photojournalists like Walker Evans. ■END■ (0[15])