John Coprario invented a type of musical suite in which one of these pieces was usually followed by an “almand” and a “galliard.” The tenor viol (-5[1])sustains a middle C throughout the entire duration of a Henry Purcell piece in this genre, which is titled [this type of piece] “upon one note.” (15[1])A harmonically-complex (15[2])J.S. Bach (15[1])piece for keyboard in this genre contains a contrasting middle section marked “recitativo” (re-chi-ta-TEE-vo); that (10[1])(*) “Chromatic” (-5[1])piece in (10[2])this (10[1])genre is accompanied by a (10[4])fugue, as is a (10[1])“Great” one of (10[1])these pieces Bach wrote for (-5[1])organ. A modern piece in this genre, which imitates the sound of an organ with three carefully-positioned string sections, is based on a setting of “Why fum’th in (10[3])fight.” For 10 (10[1])points, name this (10[1]0[3])musical form exemplified by a Ralph Vaughan Williams piece based on a theme by (-5[1])Thomas (10[3])Tallis. (10[4])■END■