In the second movement of the second of these pieces, two largo assai sections surround a central Tempo di marcia section whose opening melody passes from the tenor saxophone to the cello section, then back. The sixth of these pieces is a duet for flute and bassoon meant to evoke serenades commonly written (15[1])for flute and ophicleide. (15[1])In one of these pieces, a vocalist imitates birdsong (15[1])by singing “Lia! (15[1])Lia!” after listing off various bird species. A “Chorale” in the fourth (15[1])of these pieces is alternately titled “Song of the (-5[1])(*) Hinterlands.” The fifth of these pieces is written for 8 cellos (10[1])and a solo soprano, (10[4])and the second (10[1])concludes with a toccata depicting the “Little Train of the Caipira.” For 10 points, name this set of pieces that draw on both South American folk music and Baroque (10[1])counterpoint, (10[1])written by Heitor Villa-Lobos. (10[1])■END■