An oratorio by this composer allegorizes a military victory by Johann Matthias von der Schulenburg at Corfu. (15[1])This composer’s solo vocal music, such as “Cessate, omai (15[1])cessate,” (ches-SA-te, oh-ma-EE ches-SA-te) was defended in a book on his chamber cantatas by (15[1])musicologist (-5[1])Michael Talbot. The sixth movement of this composer’s most popular choral piece is scored for soprano, continuo, and oboe or violin alone, and is a setting of the words (*) “Domine deus, (10[1])rex coelestis” (“chay-LESS-tees”). An alto plays Holofernes in (10[1])his only (10[1])surviving (10[3])oratorio, Juditha Triumphans, which (10[1])is (-5[1])numbered (10[1])644 in the (10[1])RV catalog (10[1])of (10[2])his (10[1])works (10[1]-5[1])and was (10[1]-5[1])written (10[1])while (10[1])he (10[1])worked at the (10[1])Ospedale della Pietà orphanage for girls. For 10 (10[1])points, name this Italian baroque composer (10[1])of a Gloria (10[1])in D Major, as well as The Four Seasons. ■END■ (10[1])