Composer and genre required. A replacement 3/4 (“three-four”) Andante movement was composed for the second performance of one of these pieces at Paris’s Concert Spirituel, though its original 6/8 Andantino is played more today. In the finale of one of these pieces, the development starts with a unison, 11-note tone row with every pitch except G, the tonic. (10[2])Lothar Perger (10[1])found that a late, misattributed one of these pieces was a revision of a piece by Michael Haydn. (10[1])The scherzo of Beethoven’s Fifth Symphony opens by transforming a Mannheim rocket in the penultimate one of these pieces. The last one of these pieces, in C major, ends by interpolating five themes, including the whole notes “C, D, F, and E,” into a culminating fugato. That one of these pieces is traditionally numbered 41. (10[1])For 10 points, name these orchestral (10[1])pieces that include the “Great G minor” (10[1])and “Jupiter.” ■END■ (0[1])