This artist’s photographic realism is discussed in a 1987 essay by Peter Galassi which claims he traced his paintings and is titled after this artist’s “space.” For 10 points each:
[10h] Name this Impressionist whose homoerotic themes in paintings such as Le Pont de l’Europe are analyzed in Norma Broude’s essay “Outing Impressionism.” A bottle of red wine sits on the far right of a painting by this artist which depicts three shirtless men.
ANSWER: Gustave Caillebotte (“kye-BUTT”)
[10e] Caillebotte’s The Floor Scrapers was rejected from the 1875 iteration of this event due to its “vulgar” depiction of those shirtless men. This biennial event was the premier art exhibition in Paris throughout the 1800s.
ANSWER: Le Salon [or Paris Salon; or Salon de Paris]
[10m] Caillebotte himself is portrayed sitting backwards in this painting set at a restaurant owned by Alphonse Fournaise. This painting portrays the artist’s future wife Aline Charigot playing with a dog on a white tablecloth.
ANSWER: Luncheon of the Boating Party (by Pierre-Auguste Renoir)
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