This text titles the first recording of music from the Eton Choirbook by Harry Christophers and the Sixteen, which collects settings of it by Richard Davy (-5[1])and John Browne. Four soloists perform against only a choir in the second section of a modal Karol Szymanowski (“KAR-ol shih-mah-NOFF-skee”) setting of the “Analecta” version of this text in Polish. (10[1])The Order of Friars Minor commissioned (-5[1])Alessandro Scarlatti’s two voice, two violin, and continuo setting of this 20-stanza text, which was likely written by a Franciscan in the 13th century. (10[1])Shortly before dying of tuberculosis at age (10[1])26, an Italian composer (10[2])set a highly ornamented (-5[1])version (-5[1])of (-5[1])this (-5[1])hymn in C minor scored for soprano, (-5[1])alto, two violins, viola, and organ continuo; that setting of this hymn was completed after its composer’s opera La (10[1])serva padrona. For 10 points, (10[1])Giovanni Pergolesi (10[1])composed an (10[1])Italian setting (10[1])of what hymn about Mary watching the Crucifixion? (10[3])■END■ (10[5]0[1])