A Julian Kimble essay about the “polarizing nonsense” of logic in these locations appears in Antonio Johnson’s 2020 photo book You Next. A Quincy T. Mills book examining these locations “Along the Color Line” discusses Bayard Rustin being barred from one at the University of Chicago. Puerto Rican knick-knacks called chucherías (“choo-chair-EE-ahss”) appear alongside machismo (“mah-CHEES-moh”) symbolism in one of these locations in a Pepón Osorio (“pay-POAN oh-SO-ree-oh”) installation titled for “No Crying” in them. The permit labels CW and CC segregated these locations, whose “common” and “conjured” talk were examined by D. L. Shabazz as “cultural forums.” The Tulsa Club preserved the tradition of a harmonic seventh chord nicknamed for these locations in performances like “My Wild Irish Rose” by Black a capella singers. For 10 points, name these locations where bloodletting and teeth pulling were advertised by a red, white, and blue pole. ■END■
ANSWER: barbershops [or barberias; accept barbershop quartets; accept tonsorium; accept No Crying Allowed in the Barbershop or En la barbería , no se llora; prompt on haircutters; reject “salons” or “hair salons” or “beauty parlors”] (Mill’s book is Cutting Along the Color Line.)
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= Average correct buzz position