In a book dedicated to this city’s painters, Bernard Berenson cited Giotto (“JOH-toh”) as the only artist for a hundred years to have a significant grasp of “tactile values.” For 10 points each:
[10e] Name this city where, a century later, Fra Angelico and Sandro Botticelli were patronized by the Medici family.
ANSWER: Florence [or Firenze]
[10h] After Giotto, the next Florentine that Berenson praised for their tactile values was this artist, whose fresco of a heartbroken Adam and Eve in the Brancacci chapel was compared to a Michelangelo scene by Berenson.
ANSWER: Masaccio [or Tommaso di Ser Giovanni di Simone]
[10m] Berenson also attributed tactile values to Paolo Uccello, but claimed his art suffered from his obsession with this technique. Masaccio pioneered aerial and single-point forms of this technique to create The Tribute Money.
ANSWER: perspective [accept linear perspective or aerial perspective or single-point perspective; prompt on foreshortening by asking “what more general technique is that an example of?”]
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